PATRICK LEE
Born in Butte, Montana, 1969. Lives and works in Los Angeles, California
Education |
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| 1988-89 | Minneapolis College of Art & Design, Minneapolis, Minnesota |
Solo Exhibitions |
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| 2016 | PATRICK LEE, Huntington Museum of Art, Huntington, West Virginia, Walter Gropius Master Artist Fellowship, Exhibition, Seminar |
| 2014 | New Drawings, Western Project, Los Angeles, California |
| 2013 | Ameringer McEnery Yohe, New York, New York |
| 2011 | Deadly Friends: New Drawings, Western Project, Los Angeles, California |
| 2010 | Ameringer McEnery Yohe, New York, New York |
| 2007 | Deadly Friends, Western Project, Culver City, California |
Group Exhibitions |
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| 2023 |
The Visual Elements: VALUE, Huntington Museum of Art, Huntington, West Virginia
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| 2021 |
Drawn: From the Collection of Jack Shear, Blanton Museum of Art, Austin, Texas
Ways of Seeing: Three Takes on the Jack Shear Drawing Collection, The Drawing Center, New York, New York
All Together: A Group Exhibition from the collection of the Tom of Finland Foundation, Studio Cannaregio, Venice, Italy and The Community Centre, Paris, France
Home Fires Burning, Phil Gallery, Los Angeles, California
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| 2020 |
Face to Face, Mirelle Mostler Ltd., New York, New York
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| 2018 |
Belief in Giants, Miles McEnery Gallery, New York, New York
ROCK, Dedicated to Shannon Michael Cane, Phil Gallery, Los Angeles, California
Group show, Carole Caroompas, Dion Johnson, Patrick Lee, and Wayne White, Western Project at Werkartz, Los Angeles, California
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| 2017 |
Really?, Wilding Cran Gallery, Los Angeles, California
Ethics of Depiction;Landscape, Still Life, Human, Oakland University Art Gallery, Rochester, Michigan
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| 2016 | US IS THEM: Art from the Pizzuti Collection, Urban Institute for Contemporary Arts, Grand Rapids, Michigan |
| 2015 | US IS THEM, Pizzuti Collection, Columbus, Ohio |
| 2014 | 11-Year Anniversary Exhibition, Western Project, Los Angeles, California |
| 2013 | Pussy Eater, Deadly Friends Skateboard Deck, Fundraising Edition, Printed Matter Inc., New York, New York |
| 2011 |
Drawing for the New Century, Minneapolis Institute of Arts, Minneapolis, Minnesota
B-B-B-BAD. An exhibition with attitudes, Anna Kustera Gallery, New York, New York
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| 2010 |
Cherry Pie, Western Project, Los Angeles, California
Faces; Dead and Alive, Compoundproject, Malibu, California
do I know you, Inman Gallery, Houston, Texas
Lush Life, Salon 94, New York, New York
MALE, Maureen Paley Gallery, London, England
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| 2009 |
Drawings, Rebecca Ibel Gallery, Columbus, Ohio
In the Darkness, Phil Gallery, Los Angeles, California
Tattoo, Kathleen Cullen Fine Arts, New York, New York
Send Me An Angel, Howard House, Seattle, Washington
Heads Up, Domestic Setting, Los Angeles, California
The First Six Years, Western Project, Culver City, California
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| 2008 |
Not Without Form: Recent Drawings and Works on Paper, Donna Beam Fine Art Gallery, University of Nevada Las Vegas, Las Vegas, Nevada
Marks on Paper – Juxtaposed, Pharmaka, Los Angeles, California
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| 2007 | Drawing Show, Weinstein Gallery, Minneapolis, Minnesota |
| 2006 |
Twice Drawn (Part II), Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York, curated by Ian Berry, Jack Shear, Susan Rabinowitz Malloy
Portraits, Marc Selwyn Fine Art at Domestic, Los Angeles, California, curated by Paul Morris and Marc Selwyn
Twice Drawn (Part I), Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York, curated by Ian Berry and Jack Shear
Luxury Goods, Kathleen Cullen Fine Arts, New York, New York
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| 2005 | Art on Paper, Weatherspoon Art Museum at the University of North Carolina at Greensboro, Greensboro, North Carolina, curated by Ron Platt |
| 2001 | Patrick Lee: Drawings and Photographs Installation, Platinum Oasis, Hollywood, California |
Museum Collections |
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| Los Angeles County Museum of Art, Los Angeles, California | |
| Minneapolis Institute of Art, Minneapolis, Minnesota | |
| Huntington Museum of Art, Huntington, West Virginia | |
| Pizzuti Collection, Columbus, Ohio | |
| High Museum of Art, Atlanta, Georgia | |
| Museum of Fine Arts, Houston, Texas | |
| Taylor Art Collection, Denver, Colorado | |
Bibliography |
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| 2018 |
Schulz, Christopher, “Pinups Presents Patrick Lee”, Pinups, pp. 1- 54
Hopf, Rinaldo and Schock, Axel, “Mein schwules Auge, Homage to Tom of Finland”, book, pp. 184-185
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| 2017 |
Pierson, Jack (Curator), “Deadly Friends”, photographs, Musee, Issue No. 18
Rudin DeWoody, Beth (Curator), Wilding Cran Gallery, Really? , Exhibition Catalog, p. 38
Goody, Dick (Curator), Oakland University Art Gallery, Ethics of Depiction: Landscape, Still Life, Human, Exhibition Catalog, pp. 44-47
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| 2016 |
“Los Angeles County Fire Dept. Station 130” photographs, CRUSHfanzine #11/Men at Work, pp. 159-166
“The Few, The Proud”, photograph, Animalz Issue 02, pp. 112-113
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| 2015 | US IS THEM, Pizzutti Collection, Exhibition Catalog, pp. 44-45 |
| 2012 | LaBruce, Bruce, “Deadly Friends” Interview, Sang Bleu, #6 |
| 2011 |
Harnish, Tracy, “Patrick Lee: Deadly Friends” Huffington Post, July 27, 2011
Pagel, David, “Patrick Lee, “Deadly Friends at Western Project”, Los Angeles Times, June 30, 2011
Rodriguez, Frank, “ I Love Patrick Lee” Interview, Artillery, May/June 2011, pp. 42-44
Berry, Ian and Shear, Jack (Editors), Twice Drawn: Modern and Contemporary Drawings in Context, DelMonico Books/Prestel, p. 205
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| 2010 | Nitzberg, Ernest, ”Patrick Lee at Ameringer/McEnery/Yohe”, Artillery, May/June 2010 |
| 2009 |
Minami, Yuki. (Editor), MUTE 2: The Face Stripped, cover image, pp. 32-39
“drawings: Patrick Lee”, Doingbird #fourteen, pp. 164-171
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| 2008 | Forestieri, Susanne. “Drawing Power: The magnificent collection on display at Donna Beam Gallery redefines what is possible to do with a pencil,” Las Vegas Weekly, September 4 -10, 2008, p. 60 |
| 2007 |
Hainley, Bruce, “Patrick Lee at Western Project,” Artforum, March 2007, p. 326
Sumner, Vonn, “Patrick Lee at Western Project,” Artillery, March/April 2007, pp. 34-35
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| 2005 |
Millett, Ann, “Art on Paper 2004 at the Weatherspoon Art Museum,” Art on Paper, January/February 2005
Patterson, Tom, “A Versatile Medium”, Winston-Salem Journal: Visual Arts, p. F3
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| 2004 |
Patterson, Tom, “The Key Word is Paper,” Winston-Salem Journal: Arts, pp. F1-F2
Schubert, Lawrence, “Old Wine in New Skins,” Pride 2004
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| 2001 | “LA My Way” photographs, Dutch Magazine #36, November/December 2001, pp. 136-137 |
Awards |
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| Walter Gropius Master Artist Fellowship, 2016 | |
| Ace Hotel Artist in Residence, Palm Springs, California 2016 | |
| Peter S. Reed Foundation Achievement Award 2006 | |
| Nikon 2000 Grand Prize Winner, 2000 | |
| Tom of Finland Emerging Artist Contest, 1993 | |